Thursday 27 February 2014

Happy and Unhappy in China

Happy and Unhappy in China

This new video by Stephy Chung, shot over the past few days of worse-than-ever airpocalypse in Beijing, is worth noticing for several reasons:

- If you've spent any time in Beijing, you'll recognize many of the scenes and even more of the details and moves. A high proportion of the people shown are foreigners, along with young Chinese dancing the way people would in any country. But the stretch from 1:10 to 1:20 is a little distillation of Chinese-style public dance and movement. I have stopped to watch the very people shown in this passage, and I've talked with the elegant woman who pops in at 1:15. Plus, where else do you see such enjoyment of haw-on-a-stick? (The red things starting at 0:47) And the heavy tarpaulins at subway and store entrances, and the little ceramic pots of yogurt, and lots more.

- The clip also shows the hunkered-down nature of winter in big city China -- the bulky coats, the hats and gloves, the general discomfort. And of course the air, which I won't belabor except to say that all the messages I've received from friends in Beijing this week center on the unendurable new level of pollution. And the willed denial of those circumstances that is necessary to get through the day.

         ++ Bonus policy point: In the largest sense, "sustainability" is obviously the challenge for any society or economic system. But in a very immediate way, environmental sustainability is by far the largest and most urgent challenge for China. The country's blackened skies, poisoned lands and waters, and untrustworthy food are a public health menace; they are an emerging political threat to the government; they are the main challenge that China's rise creates for the world as a whole. ++

- The video is obviously a planned and staged production, but it both portrays on purpose and captures by accident some of the individualistic spontaneity and chaos of Chinese life, which for me is an enormous part of the appeal of the place and its people.*

- It's also a complement to the Pomplamoose version of the same song I mentioned recently. If you didn't see that before, you should see it now: it's embedded once more down below.

On the other hand: yesterday the latest offering from the state-controlled China Daily arrived inside the WaPo at our house. The pages look a little wrinkled here due to exposure to yet another dose of the unending polar-vortex snow:

I've always joked that the China Daily was my favorite newspaper, because it so often rivals The Onion in the earnest preposterousness of its views. 

The joke is wearing off for me, because of the crackdown on international and domestic reporters underway this past year in China. It's harder and harder for outsiders even to get visas there. (On my latest trip three months ago, I got no work about my visa until literally the day before departure, and this for a gathering that the Chinese government itself had authorized. The visa was for a single entry only, and ten days' stay.) It's riskier for domestic reporters to look into "sensitive" matters, above all involving the personal fortunes of the rulers' families. Last month, civil-society advocates in Hong Kong were alarmed when the editor of a leading independent newspaper there, Kevin Lau of Ming Pao, was fired after his paper had undertaken some muckraking investigations of the mainland leadership. A few days ago in Hong Kong he was stabbed, in a still-unexplained but ominous attack.  (I discussed this yesterday on Here and Now, along with Shirley Yam of Hong Kong.)

So drollery about "my favorite newspaper" doesn't seem as droll any more. And although I understand all the logical reasons why China Daily should be able to piggyback on the Washington Post -- it's a free country, the material is marked as a special supplement, closing down info is never a good answer, the WaPo needs the money --  the contrast is grating. At a time when China is trying to keep foreign reporters from even entering its country, it's injecting a direct shot of Chinese-government perspective into our capital-city papers. This is not "dangerous" in any way, but it's annoying.


Bonus point one, the Pomplamoose cover of Pharrell Williams's Happy. 

*Bonus point two, a passage from China Airborne that is relevant in weighing the always-mixed news out of that country.

The plainest fact about modern China for most people on the scene often seems the hardest to grasp from afar. That is simply how varied, diverse, contradictory, and quickly changing conditions within the country are.

Any large country is diverse and contradictory, but China's variations are of a scale demanding special note. What is true in one province is false in the next. What was the exception last week is the rule today. A policy that is applied strictly in Beijing may be ignored or completely unknown in Kunming or Changsha. Millions of Chinese people are now very rich, and hundreds of millions are still very poor. Their country is a success and a failure, an opportunity and a threat, an inspiring model to the world and a nightmarish cautionary example. It is tightly controlled and it is out of control; it is futuristic and it is backward; its system is both robust and shaky.

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Why Study Philosophy? 'To Challenge Your Own Point of View'

Why Study Philosophy? 'To Challenge Your Own Point of View'

At a time when advances in science and technology have changed our understanding of our mental and physical selves, it is easy for some to dismiss the discipline of philosophy as obsolete. Stephen Hawking, boldly, argues that philosophy is dead.

Not according to Rebecca Newberger Goldstein. Goldstein, a philosopher and novelist, studied philosophy at Barnard and then earned her Ph.D. in philosophy at Princeton University. She has written several books, won a MacArthur "Genius Award" in 1996, and taught at several universities, including Barnard, Columbia, Rutgers, and Brandeis.

Goldstein's forthcoming book, Plato at the Googleplex: Why Philosophy Won't Go Away, offers insight into the significant—and often invisible—progress that philosophy has made. I spoke with Goldstein about her take on the science vs. philosophy debates, how we can measure philosophy's advances, and why an understanding of philosophy is critical to our lives today.


You came across The Story of Philosophy by Will Durant as a kid. What were your first thoughts?

I grew up in a very religious Orthodox Jewish household and everybody seemed to have firm opinions about all sorts of big questions. I was interested in how they knew what they seemed to know, or claimed to know. That's what I would now call an epistemological question. I was allowed to read very widely, and I got book The Story of Philosophy out. I must've been 11 or 12. And the chapter on Plato… it was my first experience of a kind of intellectual ecstasy. I was sent completely outside of myself. There were a lot of things that I didn't understand, but there was something abstract and eternal that underlay all the changing phenomena of the world. He used the word "phantasmagoria," which is one of those words I had to look up, and probably one of the few times I've encountered it. I couldn't quite understand what I was reading, but I was hooked.

When did your formal education in philosophy start?

I didn't think I was going to study philosophy. I also loved science, and took out lots of books about science as a kid, and, oh gosh, I ruined my mother's kitchen by trying to do do-it-yourself chemistry experiments. There were all kinds of things that interested me. One of the things about philosophy is that you don't have to give up on any other field. Whatever field there is, there's a corresponding field of philosophy. Philosophy of language, philosophy of politics, philosophy of math. All the things I wanted to know about I could still study within a philosophical framework.

What did your religious family think about your pursuit of philosophy?

It made my mother intensely uncomfortable. She wanted me to be a good student but not to take it too seriously. She worried that nobody would want to marry such a bookish girl. But I ended up getting married at 19. And I wasn't an outwardly rebellious child; I followed all the rules. The problem was, I was allowed to think about whatever I wanted to. Even though I decided very early on that I didn't believe in any of it, it was okay as long as I had freedom of mind. It was fine with my family.

How early do you think children can, or should, start learning about philosophy?

I started really early with my daughters. They said the most interesting things that if you're trained in philosophy you realize are big philosophical statements. The wonderful thing about kids is that the normal way of thinking, the conceptual schemes we get locked up in, haven't gelled yet with them. When my daughter was a toddler, I'd say "Danielle!" she would very assuredly, almost indignantly, say, "I'm not Danielle! I'm this!" I'd think, What is she trying to express? This is going to sound ridiculous, but she was trying to express what Immanuel Kant calls the transcendental ego. You're not a thing in the world the way there are other things in the world, you're the thing experiencing other things—putting it all together. This is what this toddler was trying to tell me. Or when my other daughter, six at the time, was talking with her hands and knocked over a glass of juice. She said, "Look at what my body did!" I said, "Oh, you didn't do that?" And she said, "No! My body did that!" I thought, Oh! Cartesian dualism! She meant that she didn't intend to do that, and she identified herself with her intentional self. It was fascinating to me.

And kids love to argue.

They could argue with me about anything. If it were a good argument I would take it seriously. See if you can change my mind. It teaches them to be self-critical, to look at their own opinions and see what the weak spots are. This is also important in getting them to defend their own positions, to take other people's positions seriously, to be able to self-correct, to be tolerant, to be good citizens and not to be taken in by demagoguery. The other thing is to get them to think about moral views. Kids have a natural egotistical morality. Every kid by age three is saying, "That's not fair!" Well, use that to get them to think about fairness. Yes, they feel a certain sense of entitlement, but what is special about them? What gives them such a strong sense of fairness? They're natural philosophers. And they're still so flexible.

There's a peer pressure that sets in at a certain age. They so much want to be like everybody else. But what I've found is that if you instill this joy of thinking, the sheer intellectual fun, it will survive even the adolescent years and come back in fighting form. It's empowering.

What changes in philosophy curriculum have you seen over the last 40 years?

One thing that's changed tremendously is the presence of women and the change in focus because of that. There's a lot of interest in literature and philosophy, and using literature as a philosophical examination. It makes me so happy! Because I am seen as a hard-core analytic philosopher, and when I first began to write novels people thought, Oh, and we thought she was serious! But that's changed entirely. People take literature seriously, especially in moral philosophy, as thought experiments. A lot of the most developed and effective thought experiments come from novels. Also, novels contribute to making moral progress, changing people's emotions.

Right—a recent study shows how reading literature leads to increased compassion.

Exactly. It changes our view of what's imaginable. Commercial fiction that didn't challenge people's stereotypes about characters didn't have the same effect of being able to read others better, but literary fiction that challenges our views of stereotypes has a huge effect. A lot of women philosophers have brought this into the conversation. Martha Nussbaum really led the way in this. She claimed that literature was philosophically important in many different ways. The other thing that's changed is that there's more applied philosophy. Let's apply philosophical theory to real-life problems, like medical ethics, environmental ethics, gender issues. This is a real change from when I was in school and it was only theory.

In your new book, you respond to the criticism that philosophy isn't progressing the way other fields are. For example: In philosophy, unlike in other areas of study, an ancient historical figure like Plato is just as relevant today.

There's the claim that the only progress made is in posing problems that scientists can answer. That philosophy never has the means to answer problems—it's just biding its time till the scientists arrive on the scene. You hear this quite often. There is, among some scientists, a real anti-philosophical bias. The sense that philosophy will eventually disappear. But there's a lot of philosophical progress, it's just a progress that's very hard to see. It's very hard to see because we see with it. We incorporate philosophical progress into our own way of viewing the world. Plato would be constantly surprised by what we know. And not only what we know scientifically, or by our technology, but what we know ethically. We take a lot for granted. It's obvious to us, for example, that individual's ethical truths are equally important. Things like class and gender and religion and ethnicity don't matter insofar as individual rights go. That would never have occurred to him. He makes an argument in The Republic that you need to treat all Greeks in the same way. It never occurs to him that you would treat barbarians (non-Greeks) the same way.

It's amazing how long it takes us, but we do make progress. And it's usually philosophical arguments that first introduce the very outlandish idea that we need to extend rights. And it takes more, it takes a movement, and activism, and emotions, to affect real social change. It starts with an argument, but then it becomes obvious. The tracks of philosophy's work are erased because it becomes intuitively obvious. The arguments against slavery, against cruel and unusual punishment, against unjust wars, against treating children cruelly—these all took arguments.

Which philosophical arguments have you seen shifting our national conversation, changing what we once thought was obvious?

About 30 years ago, the philosopher Peter Singer started to argue about the way animals are treated in our factory farms. Everybody thought he was nuts. But I've watched this movement grow; I've watched it become emotional. It has to become emotional. You have to draw empathy into it. But here it is, right in our time—a philosopher making the argument, everyone dismissing it, but then people start discussing it. Even criticizing it, or saying it's not valid, is taking it seriously. This is what we have to teach our children. Even things that go against their intuition they need to take seriously. What was intuition two generations ago is no longer and intuition; and it's arguments that change it. We are very inertial creatures. We do not like to change our thinking, especially if it's inconvenient for us. And certainly the people in power never want to wonder whether they should hold power. So it really takes hard, hard work to overcome that.

How do you think philosophy is best taught?

I get very upset when I'm giving a lecture and I'm not interrupted every few sentences by questions. My style is such that that happens very rarely. That's my technique. I'm really trying to draw the students out, make them think for themselves. The more they challenge me, the more successful I feel as a teacher. It has to be very active. Plato used the metaphor that in teaching philosophy, there needs to be a fire in the teacher, and the sheer heat will help the fire grow in the student. It's something that's kindled because of the proximity to the heat.

What is it like teaching philosophy to students from a variety of backgrounds?

A good philosophy professor needs to be very aware of the different personalities in her class. I've had students who've become so very uncomfortable. They needed a lot of handholding. Some came from very religious backgrounds, and just the questioning sent them into a free-fall. We made our way through. Some of them ended up being my strongest students. Two of them are very successful professional philosophers. But they required a lot of extra time because they felt it so deeply. You're being asked to rethink all sorts of opinions. And when you see that the ground is not very firm, it can distance you from your own family, your upbringing. I went through this. My own philosophical journey distanced me from my family, the people I loved most. That was very difficult, so I know what they're going through. It can be a very intense journey.

What's happened to the popularity of philosophy as a subject since you studied it?

It's gone down. Our college students today are far more practical. When I was in college, which was in the last hey-day of the radical movement, it was a more philosophically reflective time. They want to get good jobs and get rich fast.

Despite this, and the fact that so many students are facing massive debt and a bleak economy, how can you make the case that they should study philosophy?

I wouldn't say that they must go into philosophy, and frankly, the field can't absorb that many people, but I would say that it's always a good thing to know, no matter what you go on to study—to be able to think critically. To challenge your own point of view. Also, you need to be a citizen in this world. You need to know your responsibilities. You're going to have many moral choices every day of your life. And it enriches your inner life. You have lots of frameworks to apply to problems, and so many ways to interpret things. It makes life so much more interesting. It's us at our most human. And it helps us increase our humanity. No matter what you do, that's an asset.

What do you think are the biggest philosophical issues of our time?

The growth in scientific knowledge presents new philosophical issues. The idea of the multiverse. Where are we in the universe? Physics is blowing our minds about this. The question of whether some of these scientific theories are really even scientific. Can we get predictions out of them? And with the growth in cognitive science and neuroscience. We're going into the brain and getting these images of the brain. Are we discovering what we really are? Are we solving the problem of free will? Are we learning that there isn't any free will? How much do the advances in neuroscience tell us about the deep philosophical issues? These are the questions that philosophers are now facing. But I also think, to a certain extent, that our society is becoming much more secular. So the question about how we find meaning in our lives, given that many people no longer look to monotheism as much as they used to in terms of defining the meaning of their life. There's an undercurrent of a preoccupation with this question. With the decline of religion is there a sense of the meaninglessness of life and the easy consumerist answer that's filling the space religion used to occupy? This is something that philosophers ought to be addressing.

This conversation was edited and condensed for clarity and length.


    






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And the Nominees for Best Human-Rights Work ...

And the Nominees for Best Human-Rights Work ...

LOS ANGELES — As the Academy prepares to recognize actors, filmmakers, and composers at the Oscars this weekend, the Human Rights Foundation has put together a list of celebrities deserving recognition for their accomplishments in the field of human rights. Additionally, and without the humor that accompanies the "Razzie" Awards for the worst in film, HRF has called out the rich and famous who should be ashamed for supporting, endorsing, or serving the interests of human-rights violators. 

The Nominees for Outstanding Work in the Field of Human Rights

1. George Clooney and Arnold Schwarzenegger

In December, Clooney recorded a video message supporting pro-democracy protesters in Ukraine and condemning the government's violent crackdown on them. Schwarzenegger sent demonstrators in Kiev his own video message, wishing them the "best of luck in their peaceful struggle for democracy and freedom." The Austrian-born bodybuilder is also a patron of charities fighting human trafficking and modern-day slavery. As governor of California, he opted to forgo his salary and instead directed the money to a variety of causes around the world.

2. Madonna

This month, the queen of pop denounced Venezuelan President Nicolás Maduro for his brutal crackdown on peaceful protesters, tweeting, "Apparently Maduro is not familiar with the phrase 'Human Rights'! Fascism is alive and thriving in Venezuela and Russia. The Ukraine isn't far behind!" Her comments were retweeted more than 20,000 times and made national news, helping to focus attention on the continuing crisis in Venezuela.

The Democracy Report

Madonna's been on a tear against dictatorship since her 2012 concert in Moscow, when she spoke out in support of imprisoned members of the Russian punk band Pussy Riot, saying, "I think that these three girls … have done something courageous. I think they have paid the price for this act. And I pray for their freedom." She later ripped off her jacket to reveal the band's name printed in large block letters on her back. Her stunt earned her criticism from the Russian government but she continued to support the women, even headlining a concert benefiting Pussy Riot this year in New York.

3. Khalid Abdalla

Abdalla, star of the film adaption of the bestselling book The Kite Runner, is also featured in one of this year's Oscar-nominated documentaries for standing up to the Egyptian dictatorship. The Square chronicles Egypt's recent revolution, from the protests that expelled longtime autocrat Hosni Mubarak to the military ouster of President Mohammed Morsi. The Scottish-Egyptian actor, who was raised in the U.K. but comes from a family of outspoken critics of Egyptian tyranny, felt compelled to return to Egypt when the uprising against Mubarak began in 2011. Abdalla spent six months living in Cairo's Tahrir Square and has dedicated most of his free time in the past three years to fighting for democracy. He has also denounced the military-backed government's recent authoritarian streak, stating, "We have thousands of people in prison, we have a protest law that is incredibly authoritarian, we do not have freedom of speech, and we do not have freedom of press."

4. Jon Stewart

The Daily Show host has supported the Egyptian comedian and television host Bassem Youssef, who is often referred to as "the Egyptian Jon Stewart." Youssef has faced threats and censorship from both the Morsi regime and the current military government. In 2013, Stewart appeared on Youssef's show before it was pulled off the air, telling him "you have my undying support and friendship."

5. Cui Jian

The father of Chinese rock was invited to play in the 2014 Spring Festival Gala, an annual televised program of state propaganda watched by hundreds of millions on the eve of the Chinese New Year. But he refused to participate because his performance was conditioned on changing some of his song lyrics, publicly proclaiming that he would never censor his music. Although Cui Jian may be an unfamiliar name in the West, he has produced music that criticizes Chinese repression and is therefore often banned from state radio.

6. Ben Kingsley and Susan Sarandon

Fred Prouser/Reuters

Kingsley and Sarandon expressed support for anti-government protesters in Turkey by sponsoring an open letter in London's The Times condemning Turkish Prime Minister Recep Tayyip Erdogan for the violent clearing of Istanbul's Gezi Park and Taksim Square, which killed five people "whose only crime was to oppose [Erdogan's] dictatorial rule." The actors also called attention to the suppression of press freedom in Turkey, writing, "There are more journalists languishing in your prisons than the combined number of those in China and Iran." The letter so upset Erdogan that he threatened to sue The Times for publishing it.

7. Colin Firth and Emma Thompson

Both Thompson and Firth have won Oscars, but they are also involved in combating issues as diverse as human trafficking and rights violations in the Congo. In January, the actors said they were "ashamed" of the British government for not doing more to help refugees fleeing the conflict in Syria. They have urged the international community to aid those persecuted by the Assad regime, especially the millions of Syrians who have been displaced by the violence.

8. Gabriela Montero

The Venezuelan-American concert pianist is known for her unique ability to compose and play pieces "on the fly" based on suggestions from audience members. But Montero has also distinguished herself by criticizing Venezuela's government. She composed "Ex-Patria" in 2011 to give a voice to political prisoners of Hugo Chávez's regime, and has critiqued Chávez's successor, Nicolás Maduro, as well. Her popular videos about the problems plaguing Venezuela and outspoken criticism of artists who support the government reveal a fearless commitment to prioritizing her principles over her career goals.

9. Bono

The biggest name in celebrity activism, Bono is responsible for initiating large-scale human-rights projects around the world and credited with inspiring stars like George Clooney and Brad Pitt to get involved in human-rights causes. Recently, Bono emphasized that trade and free enterprise, not aid and handouts, can do wonders to assist the world's poorest people. The U2 frontman has also successfully pushed for legislation in the U.S. and European Union mandating greater transparency in corporate dealings with African governments.

10. Cher, Harvey Fierstein, Stephen Fry, Lady Gaga, Elton John, Garry Kasparov, Wentworth Miller, and Tilda Swinton

Russia's Winter Olympics in Sochi made headlines for many reasons besides athletics. Not only did the Russian government face allegations of corruption in awarding construction contracts, but it also passed a draconian new "anti-gay propaganda" law prior to the Games. The vaguely worded law prohibits propaganda of "non-traditional sexual relations"—but does not define what constitutes propaganda or non-traditional sexual relations.

Athletes, movie stars, musicians, and even the chess grandmaster Garry Kasparov have spoken out against the law and President Vladimir Putin's crackdown on the Russian LGBT community. The Academy Award-winning actress Tilda Swinton released a photo of herself holding a rainbow flag in Moscow with the statement, "In solidarity. From Russia with love." Wentworth Miller, famous for his role in the TV series Prison Break, publicly came out as gay to show his opposition to the law. The Broadway legend Harvey Fierstein penned an op-ed in The New York Times condemning the law and urging "American and world leaders [to] speak out against Mr. Putin's attacks and the violence they foster." The journalist James Kirchick punked the Russian propaganda network RT with a protest statement during a news show, while the actor and broadcaster Stephen Fry called on the International Olympic Committee to strip Russia of the Winter Games over its anti-gay laws.

The pop diva Cher, meanwhile, was invited to perform at the Sochi Olympics but turned down the gig in protest of the law. Lady Gaga, well known for her activism on behalf of the LGBT community in the U.S., expressed her solidarity with those in Russia, tweeting, "Russian LGBTs you are not alone. We will fight for your freedom." Singer Elton John condemned the "vicious" legislation in a statement he posted online after performing in Russia.

The Nominees for Shameful Behavior in the Field of Human Rights

1. Jennifer Lopez

Jenny from the Block faced criticism in June 2013 for headlining the 56th birthday celebration of the Turkmen dictator Gurbanguly Berdymukhamedov, for which she reportedly received $1.5 million. Lopez sang happy birthday to the president and tweeted about how excited she was to be therethis despite the fact that Facebook and Twitter are banned in Turkmenistan and the country's only ISP is controlled by the regime. Lopez pleaded ignorance of the government's human-rights abuses, and her publicist stated that "had there been knowledge of human rights issues of any kind, Jennifer would not have attended."

Lopez's non-apology, however, fell flat after further research revealed that she had earned $10 million for serenading other autocrats and crooks in Eastern Europe and Russia in the previous two years. After both scandals, Lopez ignored repeated calls for her to donate the funds she received to charity. In an odd twist, the Human Rights Campaign gave Lopez an award at a glitzy D.C.-event several weeks later.

2. Mariah Carey

Andrew Kelly/Reuters

In 2011, the pop diva issued multiple mea culpas for reportedly earning $1 million to perform at a party hosted by the son of Libyan dictator Muammar Qaddafi. "I was naive and unaware of who I was booked to perform for," she said. "I feel horrible and embarrassed to have participated in this mess. Ultimately we as artists are to be held accountable."

But in December 2013, Carey reportedly received another $1 million to perform a two-hour concert at a fundraiser produced (and attended) by the family of Angola's dictator. The gala raised $65,000 for the Angolan Red Cross and provided ample PR for Angolan President José Eduardo dos Santos and his billionaire daughter Isabel dos Santos. In its brutal three-decade rule, the dos Santos family has exploited oil and diamond wealth to build total control over all branches of the government, military, and courts. Dos Santos's government has been accused of carrying out extrajudicial killings of political opponents, yet the Angolan leader has largely evaded international criticism.

When confronted with the fact that his client had previously pledged to hold herself "accountable," Carey's manager Jermaine Dupri said this "was not his problem" since he wasn't her manager when she performed for the Qaddafi family. He admitted to setting up the concert and doing no research into Angola as part of that process. This time around, Carey didn't even bother to issue an apology for her gig in Luanda.

3. Kim Kardashian and Kanye West

Charles Platiau/Reuters

Kim and Kanye make a formidable couple when it comes to providing PR for dictators. In 2012, Kim traveled to Bahrain to promote a chain of milkshake shops. During her trip, she gushed about the country, tweeting, "I'm in love with The Kingdom of Bahrain" and saying "Everyone from the States has to come and visit." Kim's comments promoted a positive image of a country that brutally crushes dissent. Those who disagree with the government are tortured, jailed, or disappeared.

Kanye, meanwhile, was reportedly paid a whopping $3 million to perform at the wedding of Kazakhstani dictator Nursultan Nazarbayev. Nazarbayev, who attended the wedding, has ruled Kazakhstan since 1991 and routinely wins "elections" with 95.5 percent of the vote. He has also waged a war on independent media following the Zhanaozen riots of December 2011, when security forces killed 16 and injured more than 100 striking oil-workers. Despite the controversy over his performance, Kanye has not apologized for it.

4. Dennis Rodman

Rodman has always been known more for his wacky behavior than his basketball career, and the former NBA star's bizarre relationship with North Korean dictator Kim Jong Un is no exception. On his last trip to the Hermit Kingdom, he even brought former NBA players to stage an exhibition game for the Dear Leader. Rodman's antics feed into the popular perception of the regime as a strange place where bad things happen as opposed to one of the world's cruelest tyrannies.

5. Gustavo Dudamel

Venezuela's then-Vice-President Nicolás Maduro (left) speaks with the Venezuelan composer Gustavo Dudamel during the funeral service for the late President Hugo Chávez in Caracas, on March 8, 2013. (Miraflores Palace/Reuters)

On February 12, the Los Angeles Philharmonic's Venezuelan-born maestro was conducting mambo music for Venezuelan President Nicolás Maduro while Venezuelan security forces violently repressed student demonstrations nearby. The backlash against Dudamel stems not just from his silence in the face of the Venezuelan government's human-rights abuses (a silence he justifies by claiming that artists are above politics), but also from his endorsement of the regime's censorship and repression. In one instance Dudamel was the headliner in launching a state-sponsored television station built on the confiscated assets of a private broadcaster shut down for criticizing the government. Months ago, Dudamel wept beside former Iranian President Mahmoud Ahmadinejad at Hugo Chávez's funeral. In every nation's struggle for civil rights and fundamental freedoms, there are no sidelines for those in the public eye.

6. Fat Joe, Julio Iglesias, and the Spanish soccer team

Spain's coach Vicente Del Bosque (right) watches his players train near Madrid, three days before playing in Equatorial Guinea. (Susana Vera/Reuters)

The dictatorship of Equatorial Guinea regularly turns to public relations firms, celebrities, and high-profile events to whitewash the tiny African country's deplorable human-rights situation record under President Teodoro Obiang Nguema Mbasogo. The Spanish-language recording star Julio Iglesias performed at the lavish Sipopo compound in the capital, Malabo (even though two-thirds of Equatoguineans live on less than $1 a day, the tickets to Iglesias's concert sold for a minimum of $973 each. Although he was alerted to the Obiang regime's human-rights abuses prior to the concert, Iglesias refused to cancel the appearance. The Miami-based rapper Fat Joe, meanwhile received an undisclosed amount to perform at a birthday celebration for Obiang's son Teodorín, a playboy with a penchant for spending his country's oil wealth on luxury goods.

In 2013, the world-champion Spanish national soccer team, known as "La Roja," traveled to Equatorial Guinea to play a friendly against the national team. Rights organizations called on the team to denounce the crimes of the government and stand in solidarity with its victims. The regime controls all media and routinely jails and tortures its political opponents to crush dissent. Despite the appeals, the team declined to make any statements about the human-rights abuses in Equatorial Guinea.


    






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This Human of New York Takes His Libraries Seriously

This Human of New York Takes His Libraries Seriously

Meet Matthew Zadrozny. He loves the New York Public Library.

On Saturday, he spent five hours handing out flyers on the street and talking to people about the library—specifically, the NYPL's plan to renovate the main branch and sell two other branches, which Zadrozny thinks will be "a disaster." He was recruiting participants for the "work-in" protests he's started organizing on behalf of the grassroots Committee to Save the New York Public Library.

On Monday, Zadrozny ate his lunch outside the NYPL's main branch on Fifth Avenue and 42nd Street, a place he knows quite well. There, on the steps of what he calls "the most important building in New York City," Zadrozny was approached by Brandon Stanton, the photographer behind the popular Humans of New York blog. 

"You want to photograph me eating chicken?" Zadrozny asked. "Yep," said Stanton. "Well, if I let you, I need you to help me deliver a message."

Zadrozny knew the nature of the opportunity he had at that moment. He had seen Stanton's website. He knew that this photo was going to be seen by thousands of people and that it would be accompanied by a quote. He wasn't crazy about the idea of this photo featuring him eating chicken—"I tried to get Brandon to take a different shot but he really wanted that shot," Zadrozny said later—but he decided, "all right, well, if he quotes me, then it's fair." And Zadrozny had spent so much time advocating and organizing against the library's proposed renovation that the right words were on the tip of his tongue.

What the NYPL is planning to do, and what has patrons like Zadrozny so upset, is tear down seven floors of the main research stacks at the flagship building on Fifth Avenue and 42nd Street, relocate the contents of these stacks to offsite storage, and consolidate the collections from the Mid-Manhattan Library and the Science, Industry, and Business Library into a single circulating collection at 42nd Street in place of the research stacks. The sale of the Mid-Manhattan and SIBL buildings would partly defray the estimated $300 million cost of renovations at the main building. The main building would go from housing a non-circulating research collection to being the largest circulating library in the United States, one that stays open until 11 p.m. on weeknights.

Zadrozny explained as much to Brandon Stanton, using slightly different language. Humans of New York published that language and a photo of Zadrozny— hovering, fork-in-mouth, over a stainless steel pot, perched on a granite slab outside the Stephen A. Schwarzman building of the NYPL, looking out at Fifth Avenue— online on Tuesday morning. The post went viral

"I'm not sure I'm ever going to live down the photograph," he says. He probably has nothing to worry about, though. One needn't look very far down the line of over 8,000 comments posted on Facebook to find flattering compliments, statements of solidarity, and even marriage proposals directed at Zadrozny. He just earned a ton of admirers and multiple tons of allies in his fight to stop the NYPL's "Central Library Plan." 

After taking a moment to swoon over this, the discovery of what one Facebook member calls "the ideal man" (in other words, "a library loving, chicken eating, photogenic, determined, badass man"), let's consider more carefully the cause for his crusade: What exactly does the Central Library Plan entail, and would it really be a disaster for the NYPL?

Actually, hold that thought. There's no shortage of links to click for news and opinions surrounding the plan. Scott Sherman laid it all out for The Nation in November 2011 (and again in September 2013), and Paul Goldberger spent nearly 7,000 words examining the issue for a December 2012 Vanity Fair feature. If you want to consider all the nuances of the plan—why Tony Marx, the president and CEO of the NYPL, believes it's truly necessary; where the $300 million to execute the plan is supposed to come from; what's up with the NYPL budget; how many books are going to be taken out of the library and sent to a storage facility in New Jersey—then go read one of those articles. 

I'd rather write about why Matthew Zadrozny, the computer programmer, is determined to stop the Central Library Plan from happening. He alludes to his concerns on his personal website with a list of questions ranging from how logistically feasible the plan is to the political and financial interests that may be involved. He worries that eliminating the Mid-Manhattan and SIB branches will mean less public space for research and learning, and especially for kids to safely study: "Please do not call this a 'renovation,' as [the NYPL has] rebranded it," he says. "It is not. They intend to close two branch libraries in the process, and squeeze the public into a space 1/3 of these." But what emerges during a conversation with Zadrozny is that he is a man who, like so many of us living in the digital age, is fundamentally concerned with the death of print. He believes in reading on paper. 

Ensconced in the Central Library Plan is a subtle embrace of technology (it's not exactly "going digital," but there will be more computers)—perhaps not dramatic enough to warrant the phrase "glorified internet café," but certainly emblematic of a greater cultural shift. Zadrozny mentions overhearing a stranger exclaim recently, "I just realized there are no more bookstores!" He tells me, "I think that in all likelihood most bookstores are going to disappear." But libraries have always been different from bookstores, and Zadrozny thinks, "In the digital age, libraries are going to be special precisely because they have paper books."

Zadrozny grew up in Tarrytown, New York, and even then he would come into Manhattan just to spend time in the NYPL because he liked it so much. He attended the University of Pennsylvania and then lived in Argentina before moving to Edinburgh, Scotland, to earn a Master's degree in computational linguistics. The NYPL has remained his favorite building in the world this whole time.

In addition to organizing protests at the library, Zadrozny and the Committee to Save the NYPL have been encouraging people to email Mayor Bill de Blasio, who officially expressed concerns about the renovation plans in July 2013 but has been silent on the issue since. The Committee's website, SaveNYPL.org, temporarily crashed from all the traffic it got on Tuesday. 

At the HONY blog, Brandon Stanton was compelled to post a response from the NYPL's public relations team clarifying that Zadrozny, who said he "works" at the library, is not an employee. (As a regular patron, he works from the library, or in the library, but not for it.) The NYPL also communicated three other points: "The vast majority of research books will remain on the site (in far superior storage conditions)"; "None of the public spaces he and others enjoy will change, and we'll be returning a circulating collection to this main library (it had one for its first 70 years)"; and "This plan will be greatly expanding access to the library. The renovation will allow all New Yorkers—scholars, students, educators, immigrants, job-seekers—to take advantage of this beautiful building and its world-class collections."

In reaction, Zadrozny says, "It's kind of funny because I have been all of these things. I've done research, I've been a student, I've actually taught a fair amount, I['ve been] an immigrant, and I've been a job-seeker." 

Still, he says, "I am a strange person to be making this case" for the love of print. "I am living a very digital life in many ways. Anybody that's doing computational linguistics needs digital texts. The funny thing is I mostly live in the digital world, but in recent months I've gone back to reading on paper because—paper is better."

"The paper book," says Zadrozny, "is not an obsolete technology. It's not replaced by e-books." He goes on to extol the virtues of the paper book as a "dedicated device," one that doesn't encourage multi-tasking the way a tablet does. 

"Your eyes get tired faster reading on a screen," he says. "When you think of someone like Edmund Morris doing research in a library all day—it's hard to imagine people doing serious research over an extended period of time always looking at screens." These comments bring to mind Jacob Mikanowski's essay in the Los Angeles Review of Books, "Papyralsis," all 4,420 words of which I'm certain Zadrozny would thoroughly enjoy (and which I emailed to him after our interview). "Invented before gunpowder or the stirrup, the book lasted longer than the steam engine and the rotary phone," writes Mikanowski. "Every part of it was adapted for human use over hundreds of years of trial and error. . . . Do you see the width of these pages? They're set in relation to our natural vision span, which relates in turn to the size of the macula in the human eye." 

Zadrozny continues: "I would argue that books are slow information. It takes time and money to put together something that's printed. Slower, printed, expensive information is usually better information." He says that printed publications are often subject to higher standards of review than digital ones. 

"We know that digital reading isn't anonymous reading," he says, again echoing Mikanowski. ("We're living in a weird moment. Everything has become archivable. Our devices produce a constant record of our actions, our movements, our thoughts.") 

Zadrozny does not mean to suggest that the changes pending at the New York Public Library can be reduced to a philosophical debate over the death of print. "There are so many things at play here," he says. But he has a lot of questions, and he thinks you should, too. 


    






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